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Miriam Linna : ウィキペディア英語版 | Miriam Linna
Miriam Linna (b. Sudbury, Ontario) has run the Brooklyn-based independent record label Norton Records since 1986 with her husband—the producer and singer-songwriter Billy Miller. Her skill as a drummer earned her a "May I recommend?" nod from Bob Dylan on his XM ''Theme Time Radio Hour'' program (episode 37) in January 2007. Born in Sudbury, Ontario 1955, Linna is part of the collective of musicians that emerged from the Cleveland, Ohio punk rock scene, including the Dead Boys and Pere Ubu. When the re-formed Rocket from the Tombs performed in Hoboken, New Jersey in 2003, singer David Thomas dedicated the band's signature song "Amphetamine" to her. ==Linna as musician== Linna was the drummer with The Cramps, a brief but curiously lingering association in the minds of many (she appears on none of their legitimate releases) that lasted only from September 1976 to August 1977. Linna left The Cramps to join the rock and roll band Nervus Rex. After performing with the Zantees, Linna and Miller launched The A-Bones (named for a 1964 tune by the Trashmen). The A-Bones released the 10" EP ''Tempo Tantrum'' in 1986, followed by the EP ''Free Beer for Life!'' (1988) and four full albums between 1991 and 1996. The A-Bones have regrouped in recent years and continue to perform, most recently in Spain with Little Richard, Andre Williams and the Great Gaylord. She also played drums on Maureen Tucker's 1994 album ''Dogs Under Stress''. On July 7, 2007, Linna and A-Bones bassist Marcus "The Carcass" Natale were guests on a recording session by the protopunk band Figures of Light, produced by Miller for Norton Records. She also handled the drums on Figures of Light's CD "Drop Dead," recorded June, 2011, and produced by Mick Collins of The Dirtbombs. In 2014, Linna released her first solo album, "Nobody's Baby," produced by Sam Elwitt, on Norton Records. The album features Linna singing over distinctly Phil Spector and Jack Nietzsche-inspired arrangements. Music journalist and blogger Lindsay Hutton wrote, "Everything about “Nobody’s Baby” is a total triumph, the sound, the sleeve and mostly the power of the music trapped on either side of the record."〔http://nextbigthing.blogspot.com/〕
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